All The Fraudulent Horse Girls

Audrey is a neurodivergent 11-year-old who loves horses so much that she can recite every line of the movie ‘Spirit’, she loves horses so much that she has a shetland pony asthma puffer, she loves them so much she can telepathically communicate with all the other horse girls in the world. Bullied by the only other horse girls in the school, she sets about proving her worth to her classmates by liberating a police horse, setting off an odyssey through time and space.

The Glory (2022, Revived twice in 2023) - National Theatre River Stage, Seven Dials Playhouse and Pleasance Ace Dome (2024) Playwrite - Michael Louis Kennedy Director - Charles Quittner Production Designer - Oli Fuller Original Lighting Designer - Tias Volker Composer and Musical Director - Rachel Blaquiere Movement Director - Matthew Bovee Produced by Brooklyn Rep Photography - Max Kennedy / Georgia Dunn / Arthur Thornberry

This production was shortlisted for the Binge Fringe Queer Performer Award 2024, and won Best of the Fest’s Best Ensemble Award 2024 at the Edinburgh Fringe 2024.

This production won a 2022 Offie Commendation Award for excellence in short-run shows, was nominated for a 2023 Offie for Lead Performance (Cazeleon), and was nominated for Best Musical Direction (Rachel Blaquière) and Best New Touring/Regional Play in the 2022 Broadway World Uk / West End Awards.

This production was a Finalist at the 2023 Pleasance Theatre Reserve Tryouts.

★★★★★ - “excellent production design from Oli Fuller that dallies and fancifully entertains” - Jake Mace for Binge Fringe

★★★★★ - “the most detailed and decked-out recreation of what you can imagine the bedroom of a fanatical horse girl aged 11 would look like” and “I simply can’t fault this show on its originality, its creativity, its set and lighting design, and its narrative.” - Lili Spratt for Ed Fringe Review

★★★★ - “the detail that had gone into the staging gave me something to take in” - Rachael Davies for Theatre Weekly

★★★★ - “Oli Fuller’s set masterfully guides the piece through its many different times and locations.” - Jack Howse for Fest Magazine

★★★★ - “additional design details by [Oli] Fuller, such as an assault of horse posters covering the rear wall perfectly capture the frenzied fun of the show” - Andrew Houghton for The Reviews Hub.

★★★★ - “set and costume design by [Oli] Fuller also works wonders within the small space, transforming The Glory’s basement into different worlds and dreamscapes within one horse girl’s head.” - Livvy Perrett for West End Best Friend.

★★★★ - “[Oli] Fuller’s design is full of love for the horse girl experience, with them making The Glory feel like a preteen’s bedroom while being able to transform into a fever dreams within a moment’s notice.” - Kat Mokrynski for Broadway World UK.